The German Turbine also has an (likely) exclusive Atmos mix in addition to a 13.1 Auro3D mix, which is a competitor format that never took off and recently shut down if I remember correctly. Turbine heavily leaned into Auro for years but they’ve now fully shifted to Atmos again. I have the Turbine Steelbook (no booklet with mine) and the film looks very good in DV and the Atmos track is excellent. Turbine got deserved criticism for altering director-approved HDR grades without communicating this to the public, as well as upscaling HD masters to 4K but Possessor is an excellent edition and looks adequate to the source. I can’t imagine the SS having a significantly different HDR / DV grade but I’m open to hearing opinions and ideally side-by-side comparisons. Encoding on the Turbine is also excellent with the sometimes heavy digital noise resolving nicely.Finch wrote:Also added Second Sight's new release of Possessor as a better import over the Well Go USA 4K. I think Second Sight were advertising their edition as the only one where the Dolby Vision was officially approved by Brandon Cronenberg. I don't know whether Turbine consulted him or not, but both imports advance over the US version with the inclusion of DV, more extras and a booklet each (I believe in German only with the Turbine).
Regarding Second Sight’s Picnic at Hanging Rock. Encoding & QC was done by people at The Grainery, the facility that did the restoration. Credited for the encoding are the restoration producer and a person that did additional restoration.